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The recent Vatican declaration 'Dignitas Infinita' aims to provide a response to pressing bioethical and social issues, from abortion and euthanasia to gender theory and the rights of migrants. But does it effectively bridge the gap between doctrine and the lived experiences of the marginalised?
Recent years have made clerical child sexual abuse a badge of shame within Australia’s Catholic hierarchy, and rightly so. But Anne Manne’s new book, Sins of the fathers, will give pause to those who blame these offences on the rule of hieratic celibacy.
Two books about a 1942 massacre of Australian nurses were released last year. One is reliable, the other is notable for factual omissions. If we leave something out, are we then guilty of censorship? Alternatively, if our truth-telling offends someone else, what is our justification for so doing?
South Africa has taken Israel to the International Court of Justice claiming genocide has been committed against Palestinians during the Gaza conflict. As the world anticipates a preliminary verdict, we consider key questions.
The next week or so can be a very selfish time, but it does not have to be. Christmas brings hope. The prospect of peace. The possibility of joy. These coming days truly are the best time to be human, to share what we have and who we want to be.
If we care about the welfare of those most impacted by domestic violence, predominantly women and children, we must ask ourselves: why are we failing to make headway on this issue, and what should we be doing differently? (From 2022)
An intricate tale that delves deep into the realm of cults, deception, and the human psyche, The Running Grave goes beyond a mere detective yarn, with a narrative that confronts society's susceptibility to manipulation and questions the very fabric of our beliefs.
Townsville's recent incidents of vigilantism in response to youth crime have cast a spotlight on the fragile balance between law enforcement and community solidarity. As social divisions deepen and inequalities persist, the door to this regrettable behaviour remains open.
Prisons are settings to which TV and film writers return regularly. It’s because ‘the joint’ gives them an environment in which they can enact the dramatic principle of the crucible easily: tension between duelling inmate protagonists and antagonists is heightened quickly to boiling point because no one can simply walk away.
To close the year for Eureka Street, the editorial team wanted to nominate who we considered to be the Eureka Street ‘person of the year’ based on who we think somehow embody Eureka Street values.
The town celebrated Guy Fawkes day and burned an effigy of the man who tried to blow up the Houses of Parliament centuries before. For days beforehand, even as the holy women left the churches where they had prayed for the release of souls from punishment, children would be dragging carts and prams around with Guy Fawkes dummies they’d made, stuffed with straw and newspaper like scarecrows, easy to burn.
At the end of the third episode of the Netflix biopic Dahmer – Monster: The Jeffrey Dahmer Story, as the ‘Watch Next Episode’ timer ran down, I turned it off and haven’t returned. At time of writing, Dahmer was the number three-ranked show on Netflix Australia. Why are viewers willing to watch? And against the scale of such horror, can there be any redemption?
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